Fingerboard Stories
While the Ripper and the Grabber were short-lived, they didn’t disappear from the limelight entirely. In the 1990s, a new generation of bass players including Nirvana’s Krist Novoselic, Green Day’s Mike Dirnt and Weezer’s Matt Sharp brought the forgotten instrument back into the public eye. For those musicians, the Ripper and the Grabber were dream pawnshop finds – solid, good-sounding instruments that wouldn’t break the bank.
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Sandinista! found critical acclaim upon release; Rolling Stone’s John Piccarella gave it a five-star review and called it the Clash’s White Album while Village Voice voted it number one in their 1981 Pazz and Jop critic’s poll. But, in the aftermath of the initial hype, people started to question whether the record really was the Clash’s bona fide masterpiece.
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“There's a melody in everything. And once you find the melody, then you connect immediately with the heart. Because sometimes English or Spanish, Swahili or any language gets in the way. But nothing penetrates the heart faster than the melody.”
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“On 17 November 2013 one of the biggest recorded tornadoes tore through Washington, Illinois killing and destroying everything in its path. This guitar was found in the front yard of a home in the rubble. It has not been touched since, there is still mud on it!”
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As for Dylan, he was magnanimous, scarcely believing what has come from his raw materials. “It overwhelmed me, really. He had such talent, he could find things inside a song and vigorously develop them. He found things that other people wouldn’t think of finding in there. He probably improved upon it by the spaces he was using. I took license from his version, actually, and continue to do it to this day.”
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